mahAkAla bhagavan (fondly known as Mahakal) – Timeless Energy of mahAkAla: Overcome Challenges with Grace – Embrace Strength and Transformation
mahAkAla bhagavAn comes under the worship of vIra bhAva.. Even if one starts his journey through vaidIka mArga properly under the able master; after some point, the path of vaidIka mArga turns him to THAT one path that takes one to his desired destination where mahAkAla is the nAyaka.. In kAlikA sampradAyam, first preference goes […]
Asana – avadhUta – ashTANga yOga – Empower Your Practice: Elevate Body, Mind, and Spirit Through Asanas in Ashtanga Yoga
In our previous posts, we have seen the dashavidha yama & dashavidha niyama which an aspirant MUST follow if his thirst on spirituality is true. In this post, let’s see how important is Asana for one in his spiritual journey. Asana literally means “seat” or “maintaining a posture against an enemy.” In the context of […]
avadhUta – ashTANga yOga – niyama
In our previous post, we have seen the dashavidha yama – 10 types of moral code of conduct for a man to walk towards spirituality, as after all, spirituality begins with the spiritual discipline. These are all getting lost in the modern spiritual training programs and without it, the experiences the man feels out of […]
avadhUta – ashTANga yOga – yama
Who is an avadhUta? aksharatvAd varENyatvAd dhUta samsAra bandhanAt | tatvamasyAdi lakshyatvAd avadhUta itIryatE || The first aksharam is “a” kAra and it is the origin point of all aksharAs and the one who always remains in the consciousness of this mighty akshara “a” is what is represented by “a” of a-va-dhU-ta The one who […]
Atma liNgAshtakam
brahmamukhAmara pUjita liNgam jiHvaga-bhUshaNa bhUshita liNgam | simha-mahAmada mardana liNgam citta sadA bhaja cinmaya-liNgam || kanaka-dharAdhara kArmuka-liNgam sanakamukhAdi-susannatu liNgam | dinakara-kOti-sudIdhiti-liNgam citta sadA bhaja cinmaya-liNgam || ashta-vibhUtidam-ishtada-liNgam srshta-jaga-trya-rakshaka liNgam | ashta-mahAbhaya-shikshaka liNgam citta sadA bhaja cinmaya-liNgam || matta-gajAjina-vEshtita liNgam dagdha-jagat-krta-pancaka-liNgam | uttama-pUrusha-vatsala liNgam citta sadA bhaja cinmaya-liNgam || aNga-bhavANga-subhaNgada liNgam tuNga-jatAbhara-shObhita liNgam | maNgala-dAyakam-adbhuta liNgam […]
Introduction to tripurA rahasyam – Final part
According to tripurA rahasyam, how are we to be called as the swarUpa of sat-chit-Ananda? This creation shall be seen via two lenses i.e., one is jaDa and the other one is cEtana.. This creation was given by Adi parAshakti and she is the creator created this world from within her. She is the swarUpa […]
Introduction to tripurA rahasyam – Part 5 – cit-shakti prabhAvam
The brightest of all light, the strongest of all the strong men / women / object, the supreme most knowledge, the supreme feeling, the supreme Ananda are all her cit-shakti / samvit-shakti prabhAvam. She is supreme amongst all and there is none or nothing greater than her. That is why she is known as mahAshakti.. […]
The place for sAdhana
Finding a place for sAdhana is the most important thing for a sAdhaka.. But, the foremost important thing for a sAdhaka to find is the best humans and to have them around.. Because, once after our journey completely turned inwards, every place will become suitable to merge with the supreme consciousness.. But, again finding the […]
A brief about the rasamani
Bitter truth which none will like as the making of rasamani or rasaliNga carries “No magic.. No mantra.. No tantra.. No rasabhairavar.. No rasabhairavi.. No rasAnkusha bhairavar.. No rasAnkusha bhairavi kind of gimmick talks.” Even the consecration part shall be done in kitchen itself.. Here also, no such ritualistic gimmicks come to create an awe […]
Introduction to tripurA rahasyam – part – 4 – sukha vs duHkha
We focus ONLY on the world thinking this world is the source of this sukha. So, we are living within the circles of sukha – duHkha; and, we always wanted sukha alone and we try to avoid duHkha as much as possible. And, we believe the sukha is there in the world & world alone […]
